This scene from Dawn of the Dead
(DOTD 1979) shows how George A Romero as an auteur by putting his soul into
the film. This also reflects of the historical
context of the 1970’s. This was the decade of when ‘malls’ were introduced
in the USA. The ‘mall’ were big retail outlets with all different shops within.
It shows off consumerism, where people become obsessed with buying and owning
stuff. Romero hated the malls. So he used the zombies in such a way to make
them mirror society.
In this scene the zombies are obsessed with
the mall, and they always wanting a way in throughout the film. This final
montage shows this off. It has many shots of the zombies aimlessly wondering
the mall. The zombies represent society. Romero wanted to talk about how people
were becoming these zombies, with wondering the mall buying stuff they don’t
really need, losing track of time and becoming emotionless.
This is example of Auteur theory (as written by Andrew Sarris in ‘Notes on the Auteur
theory in 1962’) where the director (Romero) puts his soul and ideologies
into the film. We can also see this in another Romero film Night of the
Living Dead. This portrays his hatred towards racism. He shows this in the
final scene where our black hero (a big
thing back then in the 60’s) has survived the night, only to be shot by white hillbillies.
Although it is seen as bad, it is Romero’s way of saying that racism shouldn’t
be around anymore. Killing off the hero not with zombies but by another race
was the perfect way to portray it.
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